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LA Workshops
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2010 Red Cam Intesive Workshop
The event is a perfect opportunity for people to be caught 'up-to-speed' on the new advances and editions of the Digital HD Red Camera.
And for those familiar with Red this is your chance to brush up on the most recent new editions of Scarlet and Epic.
The Intro Workshop and the Two-Day Hands-On Intensive are separate events. The intensive is capped at only (20) participants and early registration is highly recommended if you plan to attend all sessions.
The Workshop begins with an introductory session taking place on April 2010.
Entitled “Seeing Red: How One Camera Is Changing Filmmaking,” the introductory class will cover how the Red Camera is changing the media ecosystem, what makes it notable, as well as what is next in the camera’s technology development.
The intro workshop will be followed the following weekend by the hands-on two-day intensive.
The two-day workshop will focus on the specific techniques and business aspects involved with using the Red Cam, including:
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• The Red Image
• Histogram vs. Capture
• CCD Capturing Comparisons
• Red Cam Overviews
• Hands-on Demos
• Post Production
• Scenarios
• Importing
• Tape vs. File, and much more…
“IAFT is committed to training students with the latest tools, techniques and mentors that will help them gain success in their careers,” said Keith Sensing, Executive Director, International Academy of Film and Television. “Students who take this Red Camera Intensive workshop have a fantastic opportunity to learn the future of filmmaking from Michael Cioni, one of the brilliant people creating the next generation of filmmaking.”
Michael Cioni’s direction and dedication to pioneering creativity and technology have made him a rising post production industry leader. With more than a decade of progressive post production filmmaking experience, he has spent the last sjx years at PlasterCITY Digital Post (“PCDP”), which he co-founded in 2003 and built into one of Hollywood’s preeminent desktop-based post production facilities. While at PCDP, he assembled what quickly became an industry-respected team of artists and technologists, as well as led the organization’s business development efforts. During his tenure at PCDP, Michael served as a Digital Intermediate Supervisor on over 100 feature films and provided post production advisory support for hundreds of producers, directors and production companies. He currently sits on the Board of Directors of both the Hollywood Post Alliance and Filmmakers Alliance, and has served as an adjunct faculty member for USC's Annenberg School of Journalism.
Space in the workshop is limited and IAFT advises interested participants to enroll early. For reservations please call 310-593-4800 or 866-900-4179. |
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Media Contact:
Amos Choy
Public Relations
IAFT / Bigfoot Entertainment
Email: amos@bigfootcorp.com
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+63-32-495-1033
+63-32-493-8623 fax |
1 (866) 900-4179 toll free
1 (310) 593-4800 tel |
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